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Harry Potter And The Philosopher"s Stone arrived in a blaze of publicity, one of the most hyped and talked about motion pictures of the decade had finally arrived. The box office was guaranteed to bulge based on fandom book base alone, regardless of if the film got bad word of mouth or not, it was destined to be a monster smash hit. To someone like me who to this day has never read any of the Harry Potter books, it was easy for me to view objectively without comparison to the source - I enjoyed it immensely upon theatre release, and I still enjoy it equally as much now.
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Owls here, witches there, what"s that strange three headed dog doing over there? The Harry Potter franchise begins with a bang and a whip of the wand, and I and gazillions of others personally love it. 8/10.

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I"ve just realised, when harry"s kids go to hogwarts james sirius gets in gryffindor, James and Sirius were both gryffindor, Lily Luna gets in Ravenclaw, luna, who she was named after was in ravenclaw and albus severus was in slytherin, severus snape who he was named after was a slytherin. It"s like whatever their middle name, they ear in the same house as they were named after. Same with Harry, his middle name was James and he was a gryffindor. Vernon: He"ll not be going! We swore when we took him in we"d put a stop to all this rubbish. I"m from Russia. I am 13 years old but I know a little English. THIS SCENE. This is why Hermione is in Gryffindor, not Ravenclaw. Gryffindors believe in honour and bravery. She needed both to tell that lie for Harry and Ron. Hufflepuffs would do the same thing but for different reasons: we believe in fair play and honesty.

Harry potter e&a pedra filosofal download. 10 points ONLY for taking down a full grown Mountain Troll? For Pete"s sake... Four questions: One, who is the main antagonist in the first movie and book- Voldemort or Quirrell. Quirrell is doing more of the villainous hard work than Voldemort. Two, why isn"t Quirrell in Slytherin? He"s ambitious, cunning, resourceful, and this is just a bonus, but a villain (not saying ALL Slytherins would be villains, but a good chunk of them are. Three, I"m confused- in the book, did Harry"s burns kill Quirrell at all, or was Quirrell"s death dependant on Voldemort leaving his body? If so, why was it Voldemort"s departure that killed Quirrell and not the burning? And four, in the book, Dumbledore mentioned Quirrell being ambitious, greedy, and hateful, while mentioning why the man couldn"t handle Harry"s touch. Is Quirrell"s bad qualities a reason why the good of Lily"s loving sacrifice burnt the man? Or was his suffering all based on his connection to Voldemort, who couldn"t touch Harry? Do the evil qualities of quirrell contribute to his pain and death.



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The action doesn"t even have to make sense, like Thanos magically 1v5"ing with no infinity stones when in the previous film had issues 1v1"ing with stones. The entire movie is "hype" revolving around a ridiculous time "heist. They even made jokes about how stupid the idea is, and in 30 seconds Iron Man figures it out.
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Directed by: Mike Flanagan On highways across America, a tribe of people called The True Knot travel in search of sustenance. They look harmless-mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and tween Abra Stone learns, The True Knot are quasi-immortal, living off the "steam" that children with the "shining" produce when they are slowly tortured to death. Haunted by the inhabitants of the Overlook Hotel where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father"s legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant "shining" power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes "Doctor Sleep." Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan"s own demons and summons him to a battle for Abra"s soul and survival Average rating: 8,2 / 10 Stars Genre: Horror star: Rebecca Ferguson Canada, UK

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Allways wondered what happened to that kid. Turns out hes Obi-Wan. Explains Everything. Something went wrong, but don’t fret — let’s give it another shot. That Jack Torrance is Henry Thomas, usual collaborator to Mike Flanagan. Great scene and great director. Mike Flanagan ’s “Doctor Sleep” connects the visions of Stephen King and Stanley Kubrick with his own style, made most popular in Netflix’s “The Haunting of Hill House. ” It is an often effective blend of the three as it’s forced to pay more homage to Kubrick’s vision than King was in his book, which served purely as a sequel to a novel that the filmmaker had drastically changed when he adapted it in 1980. Flanagan was tasked with making a sequel to a film that stays loyal to a book that ignores the changes made in the first movie. That ain"t easy. Different characters are in different places at the end of the book and film versions of " The Shining, " and Flanagan has to tie the two together. For example, King’s original book ends with the explosion of the Overlook Hotel. We all know that Kubrick’s “The Shining” does not. And while one can sometimes feel Flanagan struggling to satisfy both King and Kubrick fans when he really should be trusting his own vision, he’s talented enough to pull off this difficult blend of legacies. After a prologue that reveals a young Danny Torrance figuring out how to control his “shining” powers and capturing the ghosts that haunt him, we’re re-introduced to an adult Dan, played by Ewan McGregor. Detailed a bit more in the book, he’s basically using alcoholism to hide his trauma, and he reaches rock bottom when he takes money from a single mother with whom he just had a coke-addled one-night stand. He jumps a bus to New Hampshire, where he tries to find stability, joins AA, and makes a friend named Billy ( Cliff Curtis), before getting a job at a hospice, where his shining power allows him to help people on the edge of death cross over. There’s a respectful solemnity to these scenes that emerge from Flanagan’s empathetic and emotional side. The idea that someone who learned through trauma that ghosts are real could comfort those wondering what happens after death is one that Flanagan takes seriously. While Dan is earning the nickname that gives the film its title, we’re introduced to two new characters. Rose the Hat ( Rebecca Ferguson) leads a roving group of powerful creatures who aren’t exactly invulnerable but have found a way to be immortal. They call themselves the True Knot, and they travel the country looking for children who “shine, ” stealing their essence and feeding off of it. The idea that there are forces in this world that thrive off pain and misery, selfishly living off the greatness found within others, is a very King creation, and Flanagan doesn’t shy away from the grisliness here. In one of the film’s most disturbing scenes, the True Knot kidnaps a boy ( Jacob Tremblay) and brutally murders him—after all, torture makes the steam he releases that much sweeter. Connecting the Rose and Dan arcs is the character of Abra Stone (newcomer Kyliegh Curran), who is so powerful that she literally draws the attention of the True Knot and finds a way to psychically communicate with Dan. The True Knot could feed on her for generations or make her one of their own. Abra finds her way to Dan, and the two draw Rose and her team into a final showdown, which everyone who’s ever seen a movie knows can only happen in one place. Flanagan and his team wisely don’t choose to visually emulate “The Shining” for most of “Doctor Sleep, ” producing a film that looks a lot more like an episode of “Hill House” than the Kubrick original. The film has arguably too many close-ups and a bit too much of a cool gray/blue color palette, but these elements add to its eerie, twilight feel. Flanagan’s best work has a way of blending the emotional and the supernatural—things go bump in the hearts and minds of his characters as much as in the darkened hallways—and that makes him a good fit for a book that needed an emotional touch to work as a film. “Doctor Sleep” is often at its best when Flanagan is allowed to flourish and play away from both the source material and the Kubrick film. When he returns to the Kubrick vision, including actors playing iconic roles from the movie, it sometimes feels like “Doctor Sleep” is in a very big shadow. The best thing about Flanagan’s film by some stretch is the work by Rebecca Ferguson. The director of “Gerald’s Game” and “Hush” proves again to be a very capable filmmaker when it comes to directing actresses, getting Ferguson’s career-best work to date. She walks away with the film as a presence that’s somehow both captivating and terrifying. Her take on Rose the Hat turns a thin character on the page into a great villain, someone who uses her good looks and charisma to disguise her evil intentions. McGregor isn’t so lucky, sometimes falling victim to a source material that never really gave us much of a character, while Curran is an engaging young actress, at her best when she’s selling Abra’s understandable confidence. I liked how Abra isn’t just a scared victim to be rescued by Dan. She needs help, but she also knows she’s a badass. What’s going to be most controversial about “Doctor Sleep” is the final act, when, slight spoilers, Flanagan and his team find themselves in the halls of Kubrick’s film. And make no mistake—it is Kubrick’s film in which they’re playing and not King’s book. Some fans of “The Shining” will consider this sacrilegious, some will find it playful and nostalgic. I’m in the middle. I think Flanagan goes back to the Kubrick well 2-3 too many times, but the changes he makes to the final third of King’s book are smart and effective. He twists King’s sequel into something that’s less about empowerment and more about overcoming trauma, reclaiming the darkest moments of your life. He makes major changes to the source material and comes out illustrating again what a confident, interesting filmmaker he can be. Kind of like someone else did four decades ago. Brian Tallerico Brian Tallerico is the Editor of, and also covers television, film, Blu-ray, and video games. He is also the Editor of Magill"s Cinema Annual, a writer for The New York Times, Vulture, The AV Club, and Rolling Stone, and the President of the Chicago Film Critics Association. Doctor Sleep (2019) Rated R for disturbing and violent content, some bloody images, language, nudity and drug use. 152 minutes about 7 hours ago 3 days ago.

Damn, I never watched the movie but i enjoyed watching her die. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on November 9, 2019 I found Doctor Sleep, based on the book by Stephen King and the sequel to The Shining, to be really, really good. This is directed by Mike Flanagan (The Haunting of Hill House) who has proven himself to be one of the great horror auteurs. (He previously adapted Stephen King"s Gerald"s Game, which was an impressive effort considering that it was mostly a person handcuffed to a bed. ) The pacing works really well for a movie running at two-and-a-half hours. The dialogue is some of the best flowing I"ve seen in a while. The cinematography and general look are also top notch. Horror fans, be forewarned that there are not that many scares. This time the main foe isn"t ghosts, but the True Knot, psychic energy vampires. They"re powerful, but they have basic human personalities and certain limitations. But, it"s a really good story! You get to learn a lot more about the world of shining (psychic powers). The personal journey of psychic and recovering alcoholic Danny Torrence and his relationship with young shiner Abra (Kyliegh Curran) is interesting. What the True Knot lack in frightening appearances, they make up with being fleshed-out characters who make very dangerous antagonists. Though not the scariest film, this works really well as a dark tale. Also, scene where you see the True Knot in action is one truly scary moment that will stick with you. The leads, McGregor, Curran, and Rebecca Ferguson as the True Knot"s leader Rose the Hat, all do an excellent job. (Yes, I concede the villain names are silly. ) However, McGregor"s American accent doesn"t sound quite natural. Also for flashback purposes and such, Flanagan got some very convincing actors to mimic the ones from the Shining. Remember when I said the pacing "mostly" works? The one weak point is reliance on nostalgia. The movie tries to be both an adaptation of Doctor Sleep but also stay true to the events specific to Stanley Kubrick"s The Shining. Fans of the book could be disappointed by changes. Several of elements involving the previous movie work. But there are moments where it can"t help but give direct "wink, wink" references to the original"s scenes and shots. It feels forced and the cinematography feels off with the rest of the film. However, there is only a very small percentage of these elements in the movie. Mostly it is its own thing. Of the recent Stephen King movies (including the Netflix ones), this is my favorite. In fact, I think it"s one of the best Stephen King adaptations ever made. Reviewed in the United States on November 12, 2019 Theater review. Possible spoilers. It’s been 39 years since poor 5 year old Danny Torrance escaped his father’s attempt to kill him and his mother in Colorado’s Overlook Hotel (“The Shining”). Stephen King’s novel is a direct sequel as is this film. Danny (Ewan McGregor) is now grown up, but is still haunted by those events decades ago. Living on the east coast he hasn’t much of a life. Drunk most of the time, he spends his time sleeping where and with whoever he can. He’s often comforted by the spirit of Dick Hallorann (Carl Lumbly replacing Scatman Crothers from “The Shining”). Danny, sometimes called Doc, decides to get on a bus and escape his current situation. He gets off in a small town in New Hampshire and is quickly befriended by Billy Freeman (Cliff Curtis) who runs a mini-version of the town square…uh, on the town square. Billy sees something in Danny that reminds him of himself years earlier. That is, an alcoholic in a desperate situation. Danny goes with Billy to an AA meeting and we jump forward 8 years and Danny is sober, working in a hospice. He has a strong version of telepathy that he calls the “shine. ” He’s able to help the dying patients comfortably make the transition to the afterlife. One day he’s greeted by a note written on a wall in his room from another with similar abilities. A 13 year old girl named Abra (newcomer Kyliegh Curran). Across the country in Iowa, a collective cult with range of psycho-powers called The True Knot are found, literally sucking the life out of children. First a 6-year old girl in a park, then in a horrific scene with a 10-year old boy played by Jacob Tremblay (“Good Boys”). A word of warning, this scene is cringe worthy, if not gory. Essentially, members of The True Knot, led by Rose the Hat (terrific Rebecca Ferguson) inhale the misty essence that is exhaled when people die. The greater the pain, the more powerful the essence. With this “food, ” the group’s members can have a life that can last centuries. Both the little girl and the boy have the "shine", so these are the people Rose and her herd seek out. Back in New Hampshire, Abra is sensing Rose and the True Knot’s evil. Abra has a powerful "shine" and even manages to get inside the head of Rose. When Rose feels the intrusion she is bent on finding the girl and absorbing her essence. This central part of the film is its most absorbing. The linkage to the Colorado is left behind. It becomes an excellent cat and mouse game. One with potentially deadly implications. We discover that while the True Knot can live forever theoretically, they can also be killed so they still have to be careful. With Abra’s prodding, Dan takes on a new role which is to eliminate the True Knot. He is assisted by Abra’s mental powers as well as some help from Billy. They will eventually collide leaving Dan and Abra having to combine their abilities against Rose. Dan believes to make the odds more in their favor, they need to lure Rose to the now closed Overlook Hotel in Colorado. Frankly that seemed to be unnecessary but then it reconnects the story back to “The Shining. ” What was once essentially a standalone film now takes on the effect of a true sequel. I have mixed feelings about it. The film is directed and written by Mike Flanagan (“Ouija: Origin of Evil” and TV’s “The Haunting of Hill House”) based on King’s book. He’s pretty good at horror films and this might be his best. One can nitpick about some of the elements – how is it Danny can remember the details of the Overlook Hotel as he was only 5 at the time? – but the film is still effective as a horror film made for grownups. Recommended. Reviewed in the United States on January 22, 2020 Verified Purchase IF YOU ARE STILL READING REVIEWS,... STOP,... RENT,... WATCH,... ENJOY,... & SHINE ON!!! Reviewed in the United States on January 21, 2020 Verified Purchase I took this for what it was and didn"t bother about picking it apart like a lot of folks do enjoy it it"s entertainment that"s all no need to be so anal Reviewed in the United States on February 7, 2020 Verified Purchase I don"t know why I always forget this fact - Stephen King"s work does not translate well from page to film. "The Shining" was an exception because the screen-writer had the good sense to know what would not work in a movie. This one like most other films based on King"s writing is not good. There is so much violence to children in this film - I found it unwatchable. I fast forwarded through several scenes where children are being victimized. What happened to King"s writing (somewhere around "Pet Cemetery") that began involving violence to children. Of course this happens in the world, but it is NOT entertainment material. Hard pass on this film, and I"m not getting fooled again. No more films based on King"s books. His HBO"s "The Outsiders" is no better, and also involves horrible violence to children. All things considered this film is just bad. Reviewed in the United States on January 22, 2020 Verified Purchase I love the fact Flannigan was able to tie the Books with the previous film. My biggest concern was how he was going to be able to achieve the tie in. It was seamless and catered to both the fans of the novel and fans of the movie. All in all i give this 5 stars. Top international reviews 5. 0 out of 5 stars Entrega rápida Reviewed in Mexico on February 9, 2020 Verified Purchase Entrega rápida, llego mucho antes de lo previsto en excelente estado físico, aprovechen ya que la versión que saldrá en México no tiene la versión Director"s cut y está si la tiene y con subtítulos en español. Muy contento con el servicio de Amazon 4 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse 5. 0 out of 5 stars Vayan por esta edición Reviewed in Mexico on March 7, 2020 Verified Purchase Si no lo han notado, la edición que se distribuye en México solo es de un disco y NO es la versión extendida así que si piensan hacerse de esta película lo mejor es que pidan la edición importada. La versión normal trae la película y los extras (película con doblaje y subtítulos en español; extras con subtítulos en español). El corte del director solo viene con subtítulos en español, no fue doblado. One person found this helpful Excelente película. Reviewed in Mexico on April 6, 2020 Verified Purchase Todo bien. La entrega rápida y puntual. El producto de excelente calidad, tanto audio como imagen. La versión del director es simplemente perfecta. Report abuse.

Critics Consensus Doctor Sleep forsakes the elemental terror of its predecessor for a more contemplative sequel that balances poignant themes against spine-tingling chills. 77% TOMATOMETER Total Count: 309 89% Audience Score Verified Ratings: 7, 882 Doctor Sleep Ratings & Reviews Explanation Doctor Sleep Videos Photos Movie Info "Doctor Sleep" is the continuation of Danny Torrance"s story 40 years after the terrifying events of Stephen King"s The Shining. Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the "shine. " Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra"s innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before-at once facing his fears and reawakening the ghosts of the past. Rating: R (for disturbing and violent content, some bloody images, language, nudity and drug use) Genre: Horror Directed By: Written By: In Theaters: Nov 8, 2019 wide Runtime: 151 minutes Studio: Warner Bros. Pictures Cast News & Interviews for Doctor Sleep Critic Reviews for Doctor Sleep Audience Reviews for Doctor Sleep Dec 01, 2019 Verified Doctor Sleep Quotes Movie & TV guides.

Doctor Sleep follows Danny Torrance (played by Ewan McGregor), best remembered as the psychic little boy of The Shining who was tormented by the Overlook Hotel’s visions of death and eventually chased around the building by his mad father, Jack. Now all grown up, Danny is an alcoholic, drinking to ward off the demons of his past; eventually he finds a stable job as an orderly at a hospice and works on conquering his problems through a 12-step program. Flanagan doesn’t give this material short shrift: McGregor is convincing as a tortured soul dragging himself toward stability, a crucial arc for King (whose Shining novel was far more about Jack’s struggles with addiction than Kubrick’s movie was). Alongside that narrative of redemption, though, is an arcane and sometimes tedious attempt to delve deeper into the extrasensory “shining” power Danny was born with. He meets another psychic, a teenage girl named Abra (Kyliegh Curran), on the astral plane. Together, they run afoul of a smoky-eyed cultist called Rose the Hat (Rebecca Ferguson), who dresses like Stevie Nicks, leads a band of drifters around the country in a horde of RVs, and wears a black flat-brimmed hat that I can only describe as jauntily foreboding. Rose, an immortal psychopath whose eyes glow in blue pinpricks, loves to consume psychic energy, which is released as steam anytime someone who “shines” like Danny dies. She is practically the co-lead of the movie, a confident and cold-blooded demon played with aplomb by Ferguson. But despite all her hard work and elegant choice of headwear, Rose isn’t as compelling as the siege of apparitions that made The Shining so horrifying. Kubrick’s slow build and his emphasis on symbolism—think of the elevator of blood, or the man in the bear costume—made his film indelible. Doctor Sleep is, meanwhile, too wrapped up in lore, too interested in explaining the mechanics of how Rose’s troupe of soul-eaters do business, and the ways in which Danny and Abra can track them and stop them. Where The Shining derived its sense of anxiety from claustrophobia—the idea that Danny and his family couldn’t leave the Overlook, even as its ghostly visions got worse— Doctor Sleep can’t stop roving around the country as Danny and Rose circle each other in preparation for a final showdown. When the final showdown comes, Doctor Sleep embraces familiarity. Despite King’s apparent initial objections, the grand finale takes place inside the Overlook, a departure from the book (since the novel The Shining ends with it burning down). The sets of Kubrick’s film are re-created on-screen with incredible care, and that unsettling sense of something lying in wait around every corner is palpable. Flanagan clearly understands how Kubrick’s adaptation eclipsed King’s attachment to the original story and became entrenched in the broader culture. But this movie is still just a very good facsimile. Doctor Sleep is wonderfully reverent when it comes to Kubrick’s film, but that means it can’t escape The Shining ’s shadow, no matter how much King might have wanted it to. We want to hear what you think about this article. Submit a letter to the editor or write to David Sims is a staff writer at The Atlantic, where he covers culture.

I made sure to pre-order this movie and i finally have it! I freaking love Abra and Dan so much, this movie is a perfect sequel to an old classic. Well done, Mike Flanagan. I really like the idea of them casting real actors in these roles as opposed to digitally de-aging their original actors or doing a CG mock-up. Its almost as if Dans age and trauma has warped his memory of his younger self, his parents, and Dick, and yet the true enemy, The Overlook, looks exactly the same. Its like the hotel is the most pervasive element of his life, beyond his parents and Dick.

I really like how they made the overlook aged and decade

God, this scene is so good.

 

 


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